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What I've found for you this week from the art world
Your freshest art news fix has arrived 🙂
Welcome to your weekly quick drop of the boldest art, freshest ideas, and creative fuel worth saving. In just 5 minutes.

TOP 3 ART STORIES THIS WEEK
1. Klimt Jackpot at Sotheby’s 💰
Three Gustav Klimt gems are hitting the spotlight this November at Sotheby’s New York. And they’re not your everyday paintings — they’re from the private stash of mega-collector Leonard A. Lauder.
🎨 Portrait of Elisabeth Lederer (1914–16): one of only two full-length portraits from this era still in private hands. The sitter? Elisabeth Lederer, daughter of Klimt’s biggest patrons, August and Serena Lederer. Price tag: $150M+.
🌸 Blumenwiese (1908): wildflower mosaic magic, aiming for $80M+.
🌲 Waldhag bei Unterach am Attersee (1916): Klimt’s last landscape, valued at $70M+.
Here’s the kicker: Elisabeth’s life was as dramatic as the canvas. Painted at 20, she lived through her family’s downfall under Nazi rule. To survive, she even spread the rumor that Klimt was her real father — a claim her mother signed off on. That story (plus a Nazi brother-in-law) kept her alive in Vienna until her death in 1944.
So when you look at this portrait today, you’re staring at a survival story dressed in imperial dragons and Viennese glamour. 🙂

Gustav Klimt, Portrait of Elisabeth Lederer, 1914–1916. Oil on canvas. Public domain (artist died in 1918).
2. Pollock’s Secret Sauce: Extinct Pigment
Jackson Pollock’s Number 1A (1948) is nine feet of dripping chaos at MoMA. A new study just revealed that its hypnotic blue isn’t generic turquoise at all — it’s manganese blue, a synthetic pigment so bright it looked like bottled sky. The twist? It was banned in the ’90s for environmental reasons.
A Stanford–MoMA team zapped the painting with Raman spectroscopy (lasers on pigment) and nailed the ID. Scientists even broke it down to the molecular level: “excited-state exchange interactions” that filter out non-blue light, leaving that crisp, crystal glow. Translation: this blue had superpowers. 🙂
First cooked up in 1907, manganese blue wasn’t just for artists, it colored swimming pools and cement too. By the time Pollock grabbed it in the late ’40s, he was already breaking every rule: painting on unstretched canvases on the floor, using sticks instead of brushes, pouring paint straight from the can.
However, back then, collectors weren’t buying it — literally. Number 1A sat unsold at its first show. Today it’s a MoMA crown jewel, carrying not just history but a pigment you’ll never see made again.
Chaos, instinct, and a color the planet retired. Astonishing, isn’t it?
3. Six Artists, $1.5M in Heinz Awards
The 30th Heinz Awards just dropped $1.5M across six visionaries in art, economy, and environment. Each winner gets an unrestricted $250,000 prize—a serious vote of confidence in their power to shift culture.
Jennifer Packer (NYC painter): Known for intimate portraits where Black figures flicker between presence and absence, showing at the Whitney, Serpentine, and MOCA LA.
Marie Watt (Portland, Seneca Nation): Creates textile-based monuments through sewing circles and community collaboration. Her works live in the Met and Seattle Art Museum.
Four others in economy + environment categories were also honored, making this year’s cohort a mix of artists, activists, and changemakers.
Since 1993, the Heinz Awards have given $32M+ to 186 recipients. Teresa Heinz called the winners people who “amplify truth and breathe possibility into the future we all deserve.” 😍
Not bad for a Tuesday in Pittsburgh. 😃
Art Drop of the Week: Architects for the Birds
Forget skyscrapers: this week, the world’s top architects scaled down (way down) to design birdhouses.
Norman Foster, Kazuyo Sejima, Renzo Piano, Lina Ghotmeh, Jacques Herzog, Frida Escobedo, and more created one-of-a-kind shelters for our feathered neighbors. Each piece carries their signature style:
Foster: sleek lines + minimalist bath/feeder combo.
Sejima: a concave bowl straight out of SANAA’s space-age playbook.
Piano: bold yellow discs with playful color pops.
Herzog: kitchenware turned elegant bird dining.
Grafton: metal circles + water basin = sculptural perch playground.
The project, Architects For The Birds, hosted by Christie’s London, is a charity auction, with proceeds going to brain cancer research. The birdhouses will be on public display October 8–14 at Christie’s King Street during Frieze Week, and will be bid on at a private dinner at Christie’s.
✨ Inspiration thought: How would you design a birdhouse? Something wild from wire, something simple from wood, or maybe just a sketch on paper? Try it - it’s a tiny act of imagination that connects you back to nature.
📹 Artist Video Recommendation
No words. Just flowers, light, and paint. Wonderful. You’ll love it.

A scene from the video
Norwegian painter Tor-Arne Moen filmed a summer-long ritual in his studio: every day, he plucked a flower or twig from his garden, set it in water, and added it to one big canvas. Day by day, bloom by bloom, the work grew into a lush baroque meadow.
The video is a quiet paradise—plants arriving like models, summer captured stroke by stroke, even a bumblebee wandering in. It’s the kind of slow, nourishing art that feels like a deep breath.
👉 Watch it if you need a reminder that creativity can be as simple as noticing what grows outside your door.
Your Next Art Destination
The David Bowie Centre just opened at the V&A East Storehouse in London, and it’s pure stardust. Think 90,000+ artifacts: stage costumes, handwritten lyrics, instruments, even Bowie’s own sketches. From the one-legged Kansai Yamamoto catsuit of Ziggy Stardust to the Mugler wedding tux, it’s a walk through Bowie’s universe of reinvention.
If you’re in London, this is a front-row seat to the mind of a legend.

Lady Gaga’s handwritten letter to David Bowie, on display: “Dear David Bowie, It was truly an honor to receive an advanced copy of your album. I cried, in fact, listening to each song. How does he know I exist?”
The Self-Taught Genius of Architecture
Japanese architect Tadao Ando
Tadao Ando, who just turned 84, is one of the most powerful examples of what it means to be self-taught. He never studied architecture at a university, yet through reading, sketching, and traveling to see buildings, he built his own education. Starting from small projects in Osaka, he developed a style that combines raw concrete, light, and nature in ways that feel both simple and profound.
His work earned him the Pritzker Prize, the highest honor in architecture. Ando’s career shows clearly that it is possible to become a world-renowned, award-winning architect without formal schooling — proof that dedication and self-learning can open doors to the very top of a profession. 😎 Happy Birthday to the inspirational architect!
That’s it for this time! I hope something from this newsletter made you smile, gave you a new thought or a piece of inspiration. Have a wonderful time, and I can’t wait to see you again next week! 🙃 ❤️


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